DVR alert! Good news! On May 1st Turner Classic Movies is playing 4 of the films. Please note all times are eastern:
6:00 AM – The Cat And The Fiddle (with the Technicolor final scene!)
7:30 AM – The Firefly (1937)
10:00 AM – Sweethearts (1938)
12:00 PM – Maytime (1937)
Another Hollywood legend has fallen. Mickey Rooney, pictured above with Nelson Eddy, has died at age 93, having lived a long, hard-lived but happy life (for the most part). He lived as any entertainer would want, continuing to entertain folks right up until his final days.
Many people may not remember that Nelson Eddy’s very first movie role was a quick walk-on (or sing-on) in the 1933 film Broadway to Hollywood. It starred Frank Morgan and Alice Brady as a vaudevillian couple. Twelve-year old Mickey Rooney played their grandson.
Nelson portrayed a vaudevillian singer named John Sylvester, who walked onstage and started singing “In the Garden of My Heart.” A few seconds later, the scene shifted back to an argument between Frank Morgan and Alice Brady so we hear Nelson finish the song over the din of their quarreling voices.
Not a great movie debut but at least Nelson enjoyed a short off-screen romance with an older woman, the film’s female star, Alice Brady.
Those of you who were lucky enough to see Mickey Rooney’s most recent touring show, “Let’s Put on a Show” (as we did), found him to be elderly and somewhat feeble but with enough mental energy and spunk to put over the songs and stories of his life that audiences cherished. He made vivid the memories of 1930s Hollywood and at several points in the show particularly when talking about Judy Garland, he wept. Even when the spotlight moved off him as the next portion of the show was set up, if one studied his face one could see that it took a few moments for him to compose himself.
He was a fairly religious man in later years and if one casually asked him about a Hollywood scandal (that didn’t include himself and/or Judy Garland), he was most likely to brush it off or not want to discuss it. However, you should know that he was receptive to narrating a documentary about the Jeanette MacDonald-Nelson Eddy romance. In fact, the negotiations only broke down over the very high and rather unrealistic fee that was demanded for his participation. Let me clarify here that these business decisions were not handled by Mickey himself; he had only kind words for Jeanette and Nelson. But it was a puzzlement.
So… it did not come as a surprise when more recently, unhappy reports came from Mickey himself about his finances and elder care problems. Three years ago, People magazine wrote:
The 90-year-old – whose on-screen problems were always easily resolved when he played all-American boy Andy Hardy – told a Senate hearing of a real-life drama involving elder abuse, and he spoke from his personal case history, he said.
“I felt trapped, scared, used and frustrated,” testified Rooney, who also said he and his (ninth) wife Jan were made to go hungry, he had medicine withheld from him and that his Oscar was even sold off. “But above all, when a man feels helpless, it’s terrible,” said the screen legend.
According to a court case in Los Angeles, Rooney has accused his stepson, Chris Aber, of elder abuse, and has obtained a restraining order against him. Aber denies Rooney’s claims, as does Jan Rooney, say news reports.
Mickey ultimately came to a private financial settlement with his stepson (who agreed Mickey was owed 2.8 million dollars but filed bankruptcy so could not repay him), turned all his finances over to his lawyer and separated from his wife Jan. His beloved Westlake Village home was sold and the proceeds split with Jan. They never divorced.
Mickey was working up till the time of his passing. He recently reprised his role as “Gus” in the upcoming Night at the Museum 3, which is still filming at this writing and is set to be released in December 2014. Hopefully Mickey’s footage will make the final cut of the movie.
The Los Angeles Times today notes that Mickey Rooney was “the tireless last surviving star of Hollywood’s 1930s Golden Age, a performer always ready to make an appearance when there was a crowd waiting to applaud.”
Jeanette MacDonald’s wedding gown from her very first movie, The Love Parade (1929), is up for auction.
Here is the description:
An ivory silk satin wedding gown worn by Jeanette MacDonald in her debut film role as Queen Louise in Love Parade (Paramount, 1929). The slender-fitting long-sleeve gown is heavily hand embellished with rhinestones, paste stones, silver tone bugle beads, and artificial pearls in a foliate motif with a center front gathering and slit to the trained skirt. Costume design by Travis Banton. Accompanied by two black and white studio images and an original Christie’s lot tag.
PROVENANCE Partial lot 50, “Entertainment Memorabilia Including Costumes from The Collection of Paramount Pictures,” Christie’s, New York, Sale number 7117, December 12, 1990
From the Collection of Glenn Brown
Below are photos of the actual gown – 85 years old and still in remarkable condition!
To bid on the Jeanette MacDonald wedding gown, go to this link.
Jeanette MacDonald’s gold cape ornament as worn in her 1937 film, The Firefly, is up for auction.
Here is the description:
A gold bullion braided cape ornament worn by Jeanette MacDonald in her role as Nina Maria, a beautiful singing spy for Spain during the Napoleonic Wars in The Firefly (MGM, 1937). The ornament is embellished with small gold sequins, beaded and sequin fringes, and a rosette closure. Costume design by Adrian. Accompanied by a copy of the film and a studio image.
PROVENANCE From the MGM haberdashery department
From the Collection of Glenn Brown
Below are photos of her wearing it in the film.
And the actual item “in person.”
To bid on this item worn by Jeanette MacDonald, visit this link.
Jeanette MacDonald’s red Spencer Jacket from her 1937 film The Firefly is up for auction.
From the auction description:
A crimson silk velvet Spencer style jacket worn by Jeanette MacDonald in her role as Nina Maria, a beautiful singing spy for Spain during the Napoleonic Wars, in The Firefly (MGM, 1937). The tailored jacket has puffed long sleeves and is embellished with silk faille frogs to the sleeves and center front, with silk faille cord trim to collar and tails, box pleated organdy to the collar, and hand finishing work. Costume design by Adrian. Accompanied by a copy of the film.
Previously exhibited at The Sharon Landa Gallery in Hollywood, California, 1971.
PROVENANCE “M-G-M Auction After Sale,” David Weisz Co., Los Angeles, 1970