Nelson Eddy was not a “singing capon” despite the sneers and jeers of his critics. In fact, he he was very human and it was never more visibly apparent than in the 1938 film, The Girl of the Golden West.
This was his 4th film with Jeanette MacDonald but the first one after her marriage to Gene Raymond. She had married in June 1937 and after the summer ended, it was time for her to get back to work and appease their fans still angry over her wedding. That it was going to be difficult for them to work together was a given. Nelson was still pining over her and despite his many affairs (“about a dozen” per his own statement), he was miserable. He drank to ease his pain and to get through the filming without breaking down in tears on set as he had done during Maytime.
In the book Sweethearts, his emotional anguish at having to work with her and be around her is described in detail, based on his own writings. Jeanette avoided him when they weren’t filming. There are very few photos of them sitting together on the set, as was normal. Still bitter with rejection, Nelson tried to pry from her whether she was happy and had “learned to love” Gene. Jeanette was not forthcoming with answers. In his diary, Nelson wrote entries like: “My baby’s arms were softly tender in our love scene today. I feel very badly tonight.” Another time he drove her home from the studio and reported: “I can’t trust myself to be alone with her. It was all I could do not to jump her.”
In this film, Nelson’s character is shot and badly wounded. Jeanette’s character plays a crooked hand of cards in an effort to save his life, by offering herself as compensation to the sheriff (played by Walter Pidgeon). The scene in question had Jeanette pushing Nelson up an attic staircase to hide, her helping him down again and his collapsing on the floor, with her anxiously and tenderly ministering to him.
The result of her nearness and hands-on attention in this sequence is plain to see, here in the shot captured by the still photographer:
…and an actual screenshot as the scene progresses. (Thanks, Katie.)
Yes, Nelson was indeed a lively near-corpse and it’s astonishing that this sequence was left in the film as-is.
Not to ruin the plot for those of you who haven’t seen the film…but of course Nelson survives, he and Jeanette are reunited at the very end and head off in a covered wagon singing happily of their love.
Which is what sort of happened in real life by the time The Girl of the Golden West finished filming.