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February 29, 2008

The Shocking Miss Pilgrim – a 99-year old screenwriter tells it as Hollywood was!

maceddy Jeanette & Nelson Book Reviews

Here’s another book recommendation! I read an excellent review of this book and decided to check it out, noting that she discussed Louis B. Mayer. It’s a slim volume but very insightful into the 20s and 30s. Maas discusses all aspects of her life and times, the cutthroat industry, prejudice against women, the parties that were little more than orgies. Seems like some aspects of Hollywood haven’t changed much!

From the “Publishers Weekly” review: “In 1920, she answered a New York Times classified ad from Universal Pictures, becoming, at age 23, Universal’s N.Y.C. story editor. In 1925, she arrived in Hollywood, turned down a screen test and instead scripted a Clara Bow vehicle, The Plastic Age….. Maas trashes Hollywood legends, recalling Louis B. Mayer as “a very fearful, insecure man”; Clara Bow dancing nude on a tabletop; Jeanne Eagels squatting to urinate in the midst of a film set; and Marion Davies commenting on her affair with Hearst: “I’m a slave, that’s what. A toy poodle.”

From the Amazon.com review: ” In The Shocking Miss Pilgrim, Frederica–who met and married filmmaker Ernest Maas in 1927–shows how, despite her screenwriting abilities, her career in motion pictures was stymied by her outspoken disagreements with studio bosses, and how many of those around her gave into debauchery. (At one party, she reports, “undressed, tousled men chased naked women, shrieking with laughter. Included in this orgy was Ray Long, Mr. Hearst’s representative; Harry Rapf, my own producer; and even the immaculate Irving Thalberg–all drunk, drunk, drunk.”) Her memoir’s prose has a charming tone, perfectly matching her Jazz Age exploits, which take up the bulk of the story. She also discusses the decline of the Maas’s careers, which they finally abandoned after the Second World War, but not before writing a musical (called The Shocking Miss Pilgrim) for Betty Grable. The best passages concern Frederica’s adventures in a young industry that was still discovering itself, such as her part in the creation of a motion picture legend: newly arrived actress Lucille LeSueur came up to her one day and said, “I like the way you dress. You dress like a lady. I need that. I want to be dressed right. Smart. I figured you could help.” One shopping expedition later, and Joan Crawford was taking her first steps toward stardom. “–Ron Hogan

My only complaint was that the book wasn’t longer; still, this is an excellent eyewitness account of what it was like to be a woman in Hollywood. You can probably get the book through your local library system or order it at the link above.

February 29, 2008

Reviews still coming in for the Lubitsch/Jeanette MacDonald DVDs

maceddy Jeanette & Nelson DVDs

…
His first sound film was The Love Parade, made in 1929, the first truly “talkie” year. His use of camera movement is only slightly constrained in this operetta starring Maurice Chevalier and Jeanette MacDonald. The following year’s Monte Carlo was another leap forward, with its famous “Beyond the Blue Horizon” number, in which train sounds set the rhythm, leading to Jeanette MacDonald’s vocal and the choral backing of farmers as the train speeds by their fields. The Smiling Lieutenant (1931) is similar in tone and subject to The Love Parade, with an even smoother execution. And One Hour with You (1932) — a remake of The Marriage Circle (1924), one of Lubitsch’s best silents — is arguably the greatest of the four.

The “argument” is largely a matter of casting. Chevalier was known as “the French Jolson,” and, like the American Jolson, his style and persona have (to be kind) dated badly.

In addition to his often impenetrable accent, Chevalier’s repertoire of rolling eyes, raised eyebrows, smug grins and jaunty chuckles make his whole act somewhere between irritating and intolerable. Monte Carlo benefits hugely by having Jack Buchanan (The Band Wagon) in what would otherwise have been “the Chevalier role.”

Link

February 29, 2008

What shall I watch tonight? How about “Love Me Tonight”

maceddy Jeanette & Nelson DVDs

A blog called “What Shall I Watch Tonight?”

And then there’s Love Me Tonight (1932), a pre-Code classic from Mamoulian and one of the best musicals ever. Jeanette MacDonald, Maurice Chevalier, Myrna Loy, C. Aubrey Smith, Charles Ruggles, even Gabby Hayes(!) when he was still just plain ol’ George. Highlights: the incredible opening scene where Paris awakens, MacDonald in a nightgown so deliciously transparent it belongs in a stag movie, and the “traveling” melodies “Isn’t It Romantic?” and “Mimi”, both courtesy of Rodgers and Hart. In time, Rodgers came to detest Hart, MacDonald came to loathe Chevalier and I wasn’t too crazy about Mamoulian after working eight months deciphering his rambling tales of Hollywood yore. But – art lives on long after old grudges die, and this film is proof of that.

Link

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Today in J/N History

1943 Jeanette makes her Montreal opera debut in Gounod's "Romeo and Juliet" to excellent reviews.

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