Entries Tagged as 'Other Celebrities'

Calabasas television ace Roy LaViolette dies, helped record Nelson Eddy

Longtime Calabasas resident and city television chief engineer Roy LaViolette has died.

LaViolette joined the city’s media operations team in 1991, first as a volunteer and then as a consultant and engineer for CTV. LaViolette worked on Wed., Aug. 20, and then died in his sleep sometime that night, a spokesperson said.

LaViolette and his late wife Doris contributed to the incorporation of Calabasas and lived in the city for more than 40 years.

LaViolette worked as an engineer on CBS radio broadcasts before joining Columbia Records, where he helped record such artists as Harry James and Nelson Eddy. He later worked behind the scenes for television stations KLAC, KCOP and KTLA in Los Angeles.

“Roy was an inspiration to all of us in the media department and the entire city of Calabasas,” said Deborah Steller, Calabasas media operations manager. “He lived through, and was part of, the technological revolution and always stayed on top of the latest gadgets and technology until the day he died.”

A CTV “Living History” program is being aired in his honor.

LaViolette was named Citizen of the Year by the Conejo/Las Virgenes Future Foundation in 2001. And in May 2007, he was honored for outstanding community service by the Los Angeles County Board of Supervisors, the Los Angeles County’s Commission on Aging and the Los Angeles County Area Agency on Aging.

LaViolette is survived by his daughter Julie Coomes; son-in-law Scott Coomes; son Robert LaViolette; daughter-in-law Ann Harper; granddaughter Nicolle LaViolette Keenan Meijia; grandson Brandon Coomes; grandson Andrew Coomes; and granddaughter Lauren LaViolette.

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Jo Stafford, 90, recorded with Nelson Eddy in 1951, listen to mp3s here!

Jo Stafford

Singer Jo Stafford passed away on July 16, 2008.

As a young girl, she wanted to be an opera singer but during the Depression years, she sang with her sisters in a pop group - “The Stafford Sisters.” She later sang with The Pied Pipers. Song of the stars she worked with included Tommy Dorsey, Frank Sinatra, Frankie Lane, Johnny Mercer, Gordon MacRae and - Nelson Eddy!

On February 12, 1951, Nelson Eddy and Jo Stafford recorded “I Love You Truly.”

On February 23, 1951, they recorded three more songs: “Till We Meet Again,” “With These Hands,” and “When I Grow Too Old to Dream.”

Click on the links of the February 23 recordings to listen to or download mp3s of these songs.

Dr. Michael DeBakey, 99, could he really have saved Jeanette MacDonald’s life?

Dr. Michael DeBakey on the cover of Time Magazine

Noted heart surgeon Michael DeBakey, who died on July 11, 2008, became famous to the general public in the mid 1960s after performing early arterial transplants on two high-profile celebrities, England’s Duke of Windsor (aka King Edward VIII) and 1930s movie star Jeanette MacDonald. But while the Duke of Windsor lived another decade, Jeanette MacDonald survived little more than a year.

While there are several reasons that MacDonald’s life was cut short, none of them have to do with Dr. DeBakey’s medical skill. I have not thoroughly checked to see whether any of his other celebrity clients failed so quickly after treatment – but, then again, it is unlikely that any of these other folks lived under such lonely and trying circumstances as did Jeanette MacDonald.

It is certain, though, that Jeanette MacDonald had a long history of heart problems. Her older sister Blossom Rock told me that MacDonald had a rheumatic heart from childhood. Their father died young due to a bad heart. MacDonald herself mentions having a heart attack as early as 1929; she had just turned 26. In a letter dated August 23, 1929 MacDonald wrote to her ex-boyfriend Irving Stone: “My heart attack is still palpitating so that also accounts, perhaps, for my disinterest in the big he men out here!” This handwritten letter was photographed and reproduced in the book Jeanette MacDonald: The Irving Stone Letters (page 145).

Heart problems were also mentioned in several contemporary accounts as contributing to her inability to sustain a pregnancy. I have been able to document four pregnancies by MacDonald’s co-star and off-screen lover Nelson Eddy during the 1930s and ‘40s (even though it is duly noted that she was married to Gene Raymond during three of them). There may have been other pregnancies, one in particular that I have seen mention of around 1942. This one even made the gossip columns – just a quick note to the effect that Jeanette MacDonald was hoping to have good news for hubby Gene Raymond when he returned from war, but alas it was not to be… or some such flowery statement. What might give this blurb credence is MacDonald’s documented response to Nelson Eddy telling her, during the filming of I Married an Angel, that his wife, Ann Franklin, was claiming to be pregnant. (And if she was, he told her he was not the father.) Her rival’s pregnancy turned out to be a false alarm, but MacDonald collapsed at this news and was so distraught that her sister Blossom had to stay the night to help console her.

I am also suspicious of MacDonald’s April 14, 1944 hospitalization in Santa Fe for “food poisoning.” In those days, celebrity “food poisoning” usually meant an alcohol or drug overdose (still does!) but this would not been the case for MacDonald, who was on a concert tour. Nelson Eddy’s over-reaction to her hospitalization was also suspicious (unless her life was in danger from actual food poisoning). He too was on tour, and became so distraught that he nearly canceled his New York Carnegie Hall appearance on April 15. Eddy agreed to go on but was not in good voice, as noted by the New York Herald-Tribune critic. During the intermission, Eddy received word that MacDonald was better. He then went back out to the audience, held up his hand to quiet them and announced: “If you don’t mind I am going to sing a song that is very dear to me.” Then he sang their famous duet “Indian Love Call.” (The same newspaper reporter noted that Eddy’s singing was much improved after the intermission.)

Despite heart problems, Jeanette MacDonald tried repeatedly to get pregnant during the WWII years, either to force Nelson Eddy to divorce his wife, or as a last resort - to raise the child within her current marriage. Certainly she pulled this maneuver in 1946 and 1947, even though now in her mid ‘40s. Documentation from contemporary letters reveal that her inner circle was concerned about such pregnancies and her weak heart, and Nelson Eddy was warned by her doctor that “another pregnancy could kill her.” This medical threat resulted in a seemingly final breakup of their physical relationship, at least throughout her remaining potential childbearing years.

In 1956, Jeanette MacDonald suffered a heart attack during a performance of The King and I at Kansas City’s Starlight Theater. According to cast member Peggy Seo, one number was cut from the show to lighten MacDonald’s work load.

In 1960, Jeanette MacDonald was attempting to write her autobiography with the help of noted author Fredda Dudley Balling. Balling later wrote that MacDonald was seriously ill and there were doubts that she would live to finish the book. (The manuscript remained unpublished until 2004, when it was released under the title Jeanette MacDonald Autobiography: The Lost Manuscript.)

In her final trip to New York City, Jeanette MacDonald consulted with psychic Phyllis Woodbury, revealing that she and Nelson Eddy had been in love all their lives and had married the wrong people. “The suffering got to her and she didn’t want to live anymore,” Woodbury told me in a phone interview.

Being forced into early retirement had also proved difficult for MacDonald, who was a singer/actress since childhood. In 1964, recuperating from Dr. Michael DeBakey’s arterial transplant, Jeanette MacDonald wrote: “I have simply been trying to get well, and this isn’t as easy as one would think. I suppose patience plays a large part in any recuperation – something which I ain’t got!”

Also working against her was the harsh truth of physical neglect in her final days. I spent over four hours interviewing Susan Nelson, the private duty nurse who attended Jeanette MacDonald during her last hospitalization at UCLA Medical Center, a scant two weeks before her death. On December 21, 1964, MacDonald was accompanied to the hospital by Nelson Eddy, while her husband Gene Raymond was prowling gay bars on Santa Monica Blvd. MacDonald had surgery for abdominal adhesions and was released on New Year’s Eve.

Susan Nelson and I carefully studied a calendar to gauge the sequence of events as accurately as possible. It seemed that after MacDonald’s release from UCLA, Gene Raymond requested that Susan Nelson continue to make house calls to check on MacDonald until January 4, 1965. After that, there was no private duty nurse in attendance. Susan Nelson told me, “She could have looked 105, 110 pounds to me when I first saw her in the hospital, but after two weeks of not eating much – I don’t know, I’m just guessing….She was too sick to be on a commercial plane. I know I told you she was getting out of bed but…to tell you the truth, I don’t know. I didn’t take her to the bathroom in the hospital. But I think I did in her home. She was very, very weak.” (Sweethearts, page 450)

Susan Nelson recalled that Gene Raymond asked on her last visit whether she might be willing to accompany them, should he decide to take Jeanette MacDonald back to Houston and Dr. DeBakey. But he never asked her. Additionally, Susan Nelson verified what I had previously learned, that Jeanette’s telephone was removed from her bedroom. This cut off her lifeline to the outside world. Her sister Blossom Rock, who was acting in the TV hit “The Addams Family,” came to visit usually early in the morning or at night after leaving work. Blossom’s next-door neighbor, Mrs. Cameron, remembered that Blossom was terribly concerned, as Jeanette was usually asleep when she did visit. Nelson Eddy, who was on the road singing, angrily reported that he could not get Jeanette on the phone and that the calls were being diverted to Gene Raymond’s apartment. Blossom told a chilling account of how, during one of her final visits, Jeanette was awake and dragged herself into the living room, weakly handed the phone to her sister and insisted that Blossom dial Nelson Eddy’s number.

Susan Nelson had last attended Jeanette MacDonald on January 4th; on the 12th, the then-doorman at the Wilshire Comstock said he was recruited to carry MacDonald down from the apartment to the car, when Gene Raymond finally took her to the airport and onto a commercial plane back to Michael DeBakey.

It is not surprising that both Blossom Rock and Nelson Eddy blamed themselves, in part, for Jeanette’s death on January 14, 1965 at age 61. Perhaps Dr. DeBakey could have given her a few more years of quality life had she returned to Houston immediately after leaving UCLA, when she still had some physical strength and was in good spirits. But by the time her husband, Gene Raymond, deigned to take her back via commercial airline to Houston and Dr. DeBakey, she was emaciated and it was too late to save her. “She was in very bad heart failure,” DeBakey told the press at her arrival, and he tried in vain to stabilize her for surgery. Justify Raymond’s actions as you will; there are many who will never forgive him for denying her round-the-clock care in her final days.

For more detailed description of Jeanette MacDonald’s final days, please consult my book Sweethearts: The Timeless Love Story Onscreen and Off Between Jeanette MacDonald and Nelson Eddy.

Sharon Rich

Mickey Rooney singing in Atlantic City through July 11

Mickey and Jan Rooney in “Let’s Put on a Show!”

The New York Daily News reports that Mickey Rooney - now 87 - is still going strong! Tonight and tomorrow, he is performing “Let’s Put on a Show!” at the Atlantic City Hilton with his wife Jan, as part of his 85th Anniversary Tour!

He is perhaps the only movie star left from Jeanette and Nelson’s era to still have an active career entertaining.

Mickey Rooney, as you know, starred in one of Nelson’s very first movies, Broadway to Hollywood (1933). Nelson sang one number and was barely seen in the film at all, since all though his number, the camera was busy filming a fight between Frank Morgan and Alice Brady.

I saw the show a few years back and Mickey Rooney is, well, still an energetic if elderly Mickey Rooney! You can’t help but be nostalgic for the 1930s when he sings and talks about those MGM years. So, I would recommend that you go if you can, who knows how many more chances we will have to see him perform.

“It was such a different era then,” Rooney told the Daily News. “The songs had so much meaning. what Jan and I do is blend talent and multimedia. We sing, we do a little dance, we show some film clips of my early days in Hollywood. I play a piano. Jan sings. And everybody goes away happy. We love doing it.”

From the Daily News: “The Brooklyn-born entertainer, who turns 88 in September, says he is up to taking the show ‘anywhere they want to see it.’ It covers everything from his first movie, Not to Be Trusted, in 1926 to A Night at the Museum in 2006….

“I’ve always loved what I’ve done,” Rooney says in explaining why he keeps going. “I’ve done over 350 pictures” - enough to make the Guinness Book of Records this year as the actor with the longest career on both stage and screen. Nevertheless, he is moved when younger actors seek him out.

“I was at the Screen Actors Guild Awards earlier this eyar sitting backstage when Brad Pitt approached me and said he wanted to mee me. Then Angelina Jolie…Then Tom Cruise came by. I was so surprised,” Rooney recalls, his voice cracking. “All I ever wanted to do was give people a good time,” he says.

Link for tickets and information.

Mickey Rooney’s website (which hopefully will have updated tour dates for the rest of the year)

Paul Newman health situation… updated

Paul Newman and Joanne Woodward

Very sad news…one of the English papers is reporting that Paul Newman may be near death, from lung cancer.

I have known for about a year that he was ill, as his wife Joanne Woodward began curtailing various activities to stay close to his side. He has been treated for cancer here in NYC.

Joanne Woodward, as you may know, is a die-hard Nelson Eddy fan. She saw Naughty Marietta about 15-17 times and loves to tell the story about how she met Nelson at a restaurant after she won her Best Actress Oscar for Three Faces of Eve. She went over to him and gushed how much she enjoyed his films, how many times she’d seen Naughty Marietta, etc. - to Nelson’s amazement. Woodward said her hubby was amused and tolerant of “the other man” in her life.

When I first met her a few years back, I gave her one of our Nelson Eddy Centennial tote bags … filled with a few items I thought she might like. She was giving one of her wonderful film screening afternoons - a tribute to Jeanette MacDonald and Nelson Eddy. She spoke to the audience and with tears in her eyes, said it was one of the most wonderful gifts she had ever gotten. And that when she got home with the tote bag Paul Newman had taken it from her and looked at its contents, laughing at how she still adored Nelson Eddy after all these years.

Like many of you women whose long-suffering husbands have been tolerant of your “addiction” to Nelson Eddy - well, it was amazing to know that Joanne Woodward and Paul Newman had a similar scene at home! (Movie stars…they’re just like us!)

I have always found Ms. Woodward to be a gracious and kind lady, with a sense of humor, honesty and courage in speaking out about the Jeanette MacDonald-Nelson Eddy romance even when it wasn’t the politically correct topic of discussion. I have met several people who know the Newmans, or have worked with them, and they only have laudatory things to say about them - especially how they’ve used their fame and money to help others.

My heart goes out to them.

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Update: Martha Stewart posted several pictures of herself taken with Paul Newman at one of his charity events last weekend.

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Blossom Rock mention re: “The Addams Family” update

Blossom Rock in The Addams Family

From the Ohio Beacon Journal:

If it’s Thursday, this must be the mailbag . . .

Q: Whatever happened to the actors who had parts on the TV sitcom ”The Addams Family?” Particularly the actor who played Lurch.

A: Since more than 40 years have passed since the show’s heyday, many of its regulars are dead. Ted Cassidy, who played the butler Lurch, died in 1979 after heart surgery. Carolyn Jones (Morticia) died of cancer in 1983.

Jackie Coogan (Fester) died of a heart attack in 1984. Blossom Rock (Grandmama) died in 1978. Lots of showbiz history in those two. Coogan was a famous child star, and the Coogan Law protecting money made by child actors is named for him. (Coogan’s family had spent his movie income.) Rock was the sister of the actress-singer Jeanette MacDonald.

At this writing, John Astin (Gomez) is still with us and still working. Ken Weatherwax (Pugsley) was pretty much done with acting by the late ’70s but has worked on the crew for various productions as well as appearing at TV and movie conventions along with Felix Silla (Cousin Itt) and Lisa Loring (Wednesday), whose last screen role was more than 15 years ago.

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Shirley Temple turns 80 this week…

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SAN FRANCISCO—Shirley Temple Black quietly celebrated her 80th birthday this week after breaking her arm in a fall at her suburban San Francisco home.

Rick Ross, her Los Angeles-based attorney, says the former child star is doing fine. She turned 80 on Wednesday.

Black was the top box-office draw in the U.S. from 1935 to 1938. Her best-known films include “Curly Top” and “Little Miss Marker.”

After retiring from the big screen, she held a number of diplomatic posts, including U.S. ambassador to Czechoslovakia.

Black lives in the San Francisco suburb of Woodside.

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Mac/Eddy fans will remember that Shirley made her radio debut with Nelson Eddy on the Gulf Radio production of “The Blue Bird” - in which they sang “Silent Night” together...and a crazy woman in the audience stood up and pointed a gun at Shirley.

You can visit Shirley’s website here.

Another opera great leaves us, tenor Giuseppe Di Stefano

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Tenor Giuseppe Di Stefano dead at 86

the associated press

Tuesday, March 4th 2008, 4:00 AM

ROME - Giuseppe Di Stefano, one of the greatest tenors of the 20th century and a celebrated singing partner of soprano Maria Callas, died Monday, his wife said. He was 86.

Di Stefano died at home in Santa Maria Hoe, north of Milan, from injuries sustained in a November 2004 attack at his family’s villa in Kenya, wife Monika Curth said.

Unidentified assailants struck the retired tenor on the head during the attack. Di Stefano underwent surgery twice in Mombasa before being flown to Milan. He awakened from a coma, but never fully recovered.

“He was 100% disabled, he couldn’t even eat alone,” Curth said. “Lately he frequently had colds and pneumonia.”

Di Stefano, born in Sicily in 1921, made his debut in 1946 in the northern city of Reggio Emilia with Massenet’s “Manon,” and went on to sing at the world’s top opera houses, including Milan’s La Scala, New York’s Metropolitan, and in Vienna and Berlin.

His last performance was in Rome in 1992.

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Note: I mention Di Stefano’s passing here because I am reminded of my good friend - the late, great John Martin. John was a devout Jeanette and Nelson fan and it was his persistence and genius that resulted in Jeanette’s “lost” Fox films being saved for us to enjoy today. Those of you who attended early Mac/Eddy club events in Los Angeles will remember John as both our film projectionist and piano accompanist for singers at our events.

In his younger years, John lived in New York City. As an accompanist he moved in musical circles and saw all the of operatic greats of that era. I asked him once who were the most memorable stars he’d seen in person (aside from Jeanette and Nelson, of course). For Wagnerian opera - Lauritz Melchior and Kirsten Flagstad in Tristan and Isolde. For the opera Andrea Chenier: Mario del Monaco and Renata Tebaldi. For several other operas: Maria Callas and Giuseppe Di Stefano.

John explained that some of the above may not have had the greatest voices from a technical point of view but seeing them in a live performance was a totally different story. And sometimes a particular performance was simply - magic.

I understood what John was saying. My paternal grandmother nearly half of her life in New York City, deeply involved in the music world. She, for instance, saw Jeanette on Broadway and heard Nelson’s debut in Beethoven’s 9th at Lewisohn Stadium. I once asked her the same question: what was the greatest live performance she’d ever seen? Her response: Caruso live at the Met, in any opera. She sniffed at listening to “restored” Caruso records, saying that he didn’t sound anything like that in person, you had to be there to experience it.

I am reminded repeatedly by those who saw Nelson or Jeanette live in concert, that they were “even better” singers off-screen than on. For Jeanette, we at least have one of her Hollywood Bowl recitals on CD that shows how in love with her that audience was - screaming and shouting their love - and song titles that they wanted her to sing! One wishes that a concert recording of Nelson’s from the earlier days would surface, although we can “feel the love” from the audiences at some of his live radio shows.

One wonders where the generations of the 21st century will find their opera greats. The Metropolitan Opera is making an effort to find new audiences by broadcasting live performances in movie theaters in High Definition. Young baritone Josh Groban is probably the closest singer we have today to Nelson Eddy - an operatic voice who has successfully crossed over to rock star fame.

Alice Brady gossip - Nelson’s co-star and 1933 girlfriend

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You may not be aware, but last fall there was much-to-do about a blind gossip item regarding “Shimmy” and “Timmy,” causing a scandalous fury around the Internet as movie buffs attempted to figure out the identity of a 1930s Oscar-winning character actress who, suffering from cancer, had a “stand-in” replace her at times both on the screen and off for public appearances (even the Academy Awards!).

After nearly a month of tremendous speculation (and some correct guesses), the person who posted this blind item identified the actress (”Shimmy”) as Alice Brady and her impersonator “Timmy” as Arthur Blake.

Alice Brady was the star of one of Nelson’s first MGM films, “Broadway to Hollywood” (1933), which also co-starred Frank Morgan and Mickey Rooney. Nelson had a walk-on that consisted of him singing one number on-stage while off-stage, Brady and Morgan had a loud argument. The camera spends most of the time on Brady and Morgan and their yelling at each other pretty much drowns out Nelson’s singing!

Still, Nelson found time for a short romance with Alice Brady who, born in 1992, was nine years his senior. The only candid photo with Nelson from that film that we’ve ever found is the one pictured here, on the set with Brady.

She went on to win the 1937 Best Supporting Actress Oscar for the film “In Old Chicago” but was too ill to attend the award ceremony. Her Oscar statuette disappeared after the presentation and she passed away before it could be replaced - just days short of her 47th birthday.

Here is the original blind item: “I don’t remember the first time I met JJ. It just seemed like from the first day I started at my first position he was there. It seems like he has always said he is retired, but at the same time it seems like he always has a piece of every project. JJ is pushing 90 if he isn’t there already. He started in the business when he was a kid doing gofer work and his career rise has matched the rise of films through their infancy all the way to the present day. He knows everyone and for those few people he doesn’t know, they certainly know him. I’ve always told him he needs to write a book about his life and times and let future generations have an insight into his life and what he has seen. I get the feeling he has, although he hasn’t ever confirmed it. Maybe he is waiting to publish it after he dies. I don’t know. With what I do now I don’t come into contact with JJ much anymore on a professional basis but I always stay in touch on a personal basis. Every other month or so we get together for brunch and I get entertained for a few hours. I’m not sure what JJ gets out of it except for some company and some free food. Somehow I think I’m getting the better part of the deal. This past Sunday the conversation turned towards an event he had hinted at previously, but had never really finished the story and I took the opportunity this time to get the answers I wanted. All I will say about these events are they happened within the past 50 years and only about ten people know the whole story. Timmy was a gay man at a time when gay men were treated miserably, not only in Hollywood but in the rest of the country as well. Timmy’s homosexuality was compounded by the fact that he was very slightly built, had very pale features and a skin condition that prevented much hair growth on his body. What Timmy had going for him was a personality that wouldn’t quit and a way of capturing an audience whether one person, five hundred or through film that was unlike anything most people had seen previously. Timmy grew up in the Northeast in a small town where he really and truly didn’t fit in. At some point he knew he wanted to be an actor and began performing in theatres across the country. He would stick in a city long enough to work in some plays and shows and then move on when he heard of another opportunity in a bigger town or for more money somewhere else. Each of these moves pushed him further and further west to his ultimate destination in Hollywood. When he first arrived in LA, the studio system was still going strong and most performers were tied to a studio for many years. They would often work on several films simultaneously and often share accommodations with other performers of the same level who also worked at the same studio. Timmy worked often, but nothing more than a few lines here or there and spent a great deal of time in the “chorus” sections of musicals which were still fairly popular. To supplement his income Timmy began performing in local theatre productions. One night the lead actress was unable to perform and there was no understudy. A sold out audience was going to be sent home unless something was done. Enter Timmy. With the audience none the wiser, Timmy performed the entire two hour show as the lead actress and received a standing ovation. He was brilliant and there was even a review in the paper which talked about this understudy who was even better than the regular actress. As good as Timmy was, it was only for one night, and he went back to his regular role the next night. Timmy was excited about the possibilities the night before had held though and the response he received was never far from his mind. After another year working at the studio without getting much further than bit parts, Timmy decided to do something which would put him in the spotlight. When his studio contract ended he basically reversed his original trek to LA and began performing in small town theatres again, but this time as a woman. Timmy traveled and did the theatre route for almost two years while building up a resume and a background for his new persona. When he finally felt as if he had it down, Timmy returned to Hollywood. This time as a woman. From his very first screen test as a woman, Timmy was destined to become a star. Timmy was initially given meaty supporting roles and moved into an apartment with two other women who worked at the studio. One of those women was JJ’s wife. There was just no way for Timmy to keep his masculinity a secret in such close quarters and so the two women became Timmy’s confidantes and helped him whenever possible. Over the next two years, Timmy worked steadily as a woman and kept getting better and better roles. He was very rarely the lead, but in memorable role he was cast as the lead opposite a very closeted A list at the time actor who also remained single for his entire life. The two began a relationship which was always kept quiet but lasted for many years. Shortly after Timmy was cast as the lead, he was cast in another role which is the subject of the blind. Timmy was incredible in this role and whether his acting was as a result of his new found love or as a result of just the right part at the right time, Hollywood took notice and so did the critics. During award season, Timmy began winning regularly for his role. I want to make it perfectly clear that none of these organizations knew Timmy was actually a man when they were honoring him with awards as an actress. This award season was a blessing because it honored Timmy for his work, but at the same time the increased publicity and probes into his background were causing a great deal of stress and Timmy began getting hives and breaking out as the stress of trying to maintain three different persona’s. Timmy himself, Timmy the actress, and Timmy the gay man in a loving relationship with a closeted star. When it came to the very big award, the one with all the television viewers, Timmy won again. There he was, the woman who was really a gay man was being honored for being the Best Supporting Actress/Best Actress of the year. Its up to you to figure out which of the two he won. After the award season, Timmy thought the hives and his skin would go back to normal, but if anything they became worse. The severe outbreak he had been dealing with had altered his body to the point where it just wouldn’t go back to normal. At that time there was no CGI, and makeup could only do so much. Timmy the award winning actress was having trouble finding work because of his condition and so he saw his career slowly work its way back down the ladder over the course of three or four years. Timmy considered trying to resume a film career as a man but the skin condition made that impossible because it would have been one hell of a coincidence that two people who looked remarkably alike had the same condition. What he could do though was return to the theatre, and he did so, as a man and worked as a man until his death from AIDS related complications. Sunday after brunch I went to Blockbuster and I rented the award winning film, and even knowing what I knew, when I watched it Sunday night it was almost impossible to tell. If you watch it carefully there is one giveaway which is a scar. It’s not a big scar, but its evident in photos of the male Timmy which you can still find online in old cast photos and in the female version of Timmy as she acts her way to one of the biggest awards in films. Timmy as an actor and actress was in over 100 films and theatre productions from Topeka to Broadway, but this is about one role and one award.”

You can read the “solution” for this blind item with lots of film clips of both Alice Brady and Arthur Blake playing her at this link. It’s certainly a fascinating piece of Hollywood history!

Obit of woman who cooked a meal for Nelson Eddy!

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Robbie Board: ‘A kindly, gentle spirit’

Robbie Board was a slightly built tower of strength — a woman who worked and raised three children alone after her husband died. She was passionate about justice, say those who knew her, and she always spoke her mind.

Board died June 21, 2006, at age 100. Hers is not a name heard often when people speak of the history of civil rights and desegregation in Roanoke. Yet Board, some say, was an unsung hero of that time and beyond.

“She was a great believer in equal rights for everybody,” recalled her daughter, Jeane Hale Marsh of Roanoke.

“She was a great person, and because she came this way, we’re a better family and this is a better community,” her other daughter, Jackie Bolden said.

Old friends

Robbie Board lived a colorful and eventful life. As a young woman, she worked as a housekeeper at the house of a young John Payne, who would become the Roanoke Valley’s most famous movie star. (Payne was a staple in mid-century movie musicals, but is best remembered as co-star of “Miracle on 34th Street,” along with Maureen O’Hara and a very young Natalie Wood. Payne was the lawyer who defended Santa Claus.)

Board was in her 20s at the time, with three children of her own. (Her first husband, William Hale, had died very young with pneumonia, Jackie Bolden said. Robbie Board was married a second time, to Lynwood Board, when the children were already grown.) Board recalled in interviews that Payne was always clowning around in his kitchen and asking her to critique his singing. “He should have been a comedian,” Board told The Roanoke Times at age 94.

Sometimes Payne took her to the movies. “With his hat turned up, Mr. Payne was the sportiest man in town,” Board told the Roanoker magazine in 1992. Board also said she once cooked country ham and fried potatoes at the Payne house for singer Nelson Eddy.

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